论文BalleticViolenceRevisited是适合BalleticViolenceRevisited论文写作的大学硕士及相关本科毕业论文，相关soccerviolence开题报告范文和学术职称论文参考文献下载。
It has been 50 years since John Woo, the renowned Hong Kong director, started his career in the film industry back in 1968. Woo, now aged 71, has staged more than 30 fi lms throughout an illustrious career which has spanned both Hong Kong and Hollywood, winning applause both at home and abroad for his distinctive style of action movies.
This winter saw two of Woo’s fi lms screened in cinemas with a rerelease of his 1986 blockbuster A Better Tomorrow and the release of his latest movie Manhunt. Woo’s highly regarded fi lm A Better Tomorrow depicts the story of two brothers, a gangster and a policeman, and has been widely hailed as the fi rst and defi ning fi lm of the heroic bloodshed genre. Manhunt tells the story of a lawyer, in the frame for a murder he did not commit, who teams up with a detective in order to restore his reputation.
The two movies may be separated by a 31-year gap, but they remain alike in their methods of story-telling and visual language. Both depict men bound by personal concepts of honor and loyalty at odds with contemporary values, each willing to fight in order to attain justice. Woo’s signature narrative tools； epic shootouts, slow motion gunplay, tense Mexican stand-offs, and carefully choreographed fight sequences, are recurrent spectacles in the two fi lms, a style described as “balletic violence” which has inspired and influenced other directors all around the world.
Yet for all the infl uence of the style which has become almost synonymous with his name, Woo has in fact not made a signature“gun fu” thriller for 14 years. After working on several big budget historical epics which received generally mixed reviews, Manhunt marks a return to what he does best.
“I haven’t touched a gun fi lm for more than a decade. I feel somewhat lonely without it. A director shouldn’t stay away from his signature genre for too long,” Woo said at the premiere of Manhunt in Beijing on October 31.
A meteoric rise
Woo’s early life helped to shape the kind of director he would later become. Growing up in a shanty town in Hong Kong, his family lived in poverty, whilst the young Woo was the frequent target of street bullies throughout his childhood. He described his feeling at the time as one of loneliness and claimed that he longed to rid himself of such miserable life. He later discovered cinema, for him a retreat from the suffering of his youth, and movies, especially musical films, began to shape his hopes for the future.
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