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Thubten is a household name across Tibet. The career of this 81-year-old performing artist has spanned seven decades.
Famous Chinese crosstalk comedian, Jiang Kun, once said that where there are people, there is Thubten. Over 100 books of work journals are kept on this man’s bookshelf, and the “China Performing Art Peony Awards Lifetime Achievement Award” statuette on his desk proves Jiang Kun’s point.
Thubten was born into a serf family in Lhasa in 1934. These humble beginnings did not stop him from rising to a remarkable life and career. In 1951, as the peaceful liberation of Tibet ushered in a new era, the lives of all Tibetans including the then 17-year-old Thubten were changed forever. Nine years later, Thubten, a young man who loved singing and dancing, became a member of the Lhasa City Song and Dance Troupe.
National First Grade director and Thubten’s good friend, Tenzin Gonpo, recalled, “Thubten could dance and sing well then, and he also played the fl ute.”
“The herden were gasping with admiration at his wonderful herdenstyle dance. They asked, ‘Is Mr. Thubten really from the city of Lhasa?’” Thubten’s performance partner, Migmar, added.
If the 26-year-old Thubten had pursued a career as a dancer, the history of China’s comic art would he missed out on a remarkable name. The person who changed Thubten’s life and career was Lobsang Dorje, whose performance of the crosstalk “Drunk” in 1962 ge Thubten his fi rst taste of the art of verbal comedy.
“Drunk” is one of the signature works of the Chinese crosstalk master Hou Baolin. Lobsang Dorje saw Hou’s performance in a theater in Beijing and was deeply inspired. He then came back to Tibet and adapted it into the Tibetan language.
The fi rst time Thubten saw “Drunk”, he was completely captivated like everyone else present. “Each member of the audience was laughing so hard. The performance showed how badly one can behe when intoxicated. It was both funny and educational.” After the show, Thubten ran backstage to fi nd Lobsang Dorje and expressed his wishes to study under him. The man agreed without any hesitation and ge the transcript to the young man right on the spot. A couple of days later, he started teaching Thubten formally.
In the following years, based on traditional Tibetan performing arts and borrowing from Chinese crosstalk, Thubten gradually established the art form of Tibetan crosstalk.
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